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The production company behind the programme is looking for contestants. A new dating show set to hit television screens soon is looking for people to star in the programme. The show, which currently has the working title ‘The Cabins’, is due to become part of ITV2’s schedule following the postponement of Love Island until because of the coronavirus pandemic.
The channel has joined forces with 12 Yard Productions and a message on the latter’s website is encouraging singletons to sign up. An Instagram account also appears to have been set up for the show under the moniker thecabins. A post from the account features a promotional image for the production along with the tag line “Looking for Love?
Anyone wanting to be part of the show must be at least 18 years old and must be a permanent resident of the UK. In an interview with The Sun, he said: “We have tried every which way to make Love Island this summer but logistically it’s just not possible to produce it in a way that safeguards the wellbeing of everyone involved and that for us is the priority.
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But ultimately I lead a pretty low-key lifestyle. I have some ‘weirder’ interests; I draw recreations of unidentified decedents [dead people], I enjoy.
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Dating in a pandemic is tough. So she made TV’s first COVID-set romance
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Which is to say, is this other person on the show really trying to find love or do they just want to be on a show? On virtually all dating shows the question is practically rhetorical. Mark is just so sweet. I loved it so much. By contrast everything about Love on the Spectrum feels like some kind of normal veneer has been torn away. The subjects, all young, autistic Australians, are hoping to find love, without, in some cases, seeming to entirely grasp what that means. You experience all the things you normally would but with the jadedness of your own experience stripped away, such that the familiar feels brand new — dating as it might be experienced by a baby, or a visitor from another planet.
Mark wears a constant, slightly pained smile and is filled with various facts about dinosaurs.
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A s an autistic who longs for better autistic representation in media, I approached Love on the Spectrum a lot like its subjects appeared to approach their dates: excited but extremely nervous. Hopeful that this time would be different, despite a long history of frustration and disappointment. The five-part reality series, which premiered on Netflix earlier this week, seemed fairly promising in theory. Any show that could tackle our common humanity as well as our often significant differences could be entertaining for both autistic and non-autistic audiences—and potentially illuminating for the latter.
Stories about autism and love have rarely lived up to that promise in the past. But Love on the Spectrum has the potential to open minds, foster genuine empathy for its stars and maybe even spark interest in more autistic stories. The bar for autism depictions is still low read on for more on that , but the series ambles over it by rightfully allowing its autistic subjects to speak for and at least somewhat guide their stories themselves, so that viewers can get to know them as people with individual thoughts, desires, and needs.
Even in recent years, fictional takes have mostly been patronizing affairs made by and for non-autistic people. Nonfiction storytelling can provide more opportunities for actual autistic participation, but it comes with a higher risk of exploitation, too. I thought the critically acclaimed documentary Autism in Love was a decent portrayal of autistic people working to find and maintain romantic relationships, but was later horrified to read about the ongoing mistreatment star Lindsey Nebeker says she faced during production and promotion.
Even in less obviously manipulative scenarios, I worry about what boundaries non-autistic people might unintentionally breach.
Singletons sought for ITV’s new dating show ‘The Cabins’
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